My practice is intentionally messy and sprawling, focused on how we live with getting bodied. Extracting knowledge from the three islands of Jamaica, UK and Manhattan all and none of which I simultaneously call home, I consider the journeying of the sea, pathways and opacity of routes as roots. Taking form primarily in sculpture, sound and drawing with a distinctly corporeal approach. I attempt to burden ubiquitous materials with a process of symbolic layering, all in order to explore emotional connections to the politics and erotics of violence, language and fear. Recent works have been dealing with the object as subject, giving life and tension to ceramic forms. As well as an ambitious new performance commision with Jamila Johnson-Small, Sounds for Survival at the Wysing Arts Centre in England, that asks the question of what an anti-assimilationist practice might look and sound like in 2018.
Exhibitions include Harlem Postcards, Studio Museum Harlem, ATROPHILIA, Company Gallery, New York, Relative Strength, Arcadia Missa, London, Blood on the Leaves Blood on the Roots, Preteen Gallery, Mexico City and Just Give Me A Minute, live at Palais de Tokyo, Paris.
Opening July 3rd 2018, In Whose Eyes: Practice in Dialogue, Beaconsfield Gallery Vauxhall