Preteen Gallery at Arcadia Missa, London. 2014
Preteen Gallery at Arcadia Missa, London. 2014
CUNT, 2014. Installation view. Cookie Butcher, Antwerp. 
Ivory Black, 2014. Installation view. Cookie Butcher, Antwerp. 
It’s Been 10 Year’s Since 2010, 2014. Installation view. Preteen Gallery at Arcadia Missa, London. 

THE SOUL FERMENTING IN MATTER EMBODIES ITSELF IN THE OTHER’S DEATH, WHEREBY A CONCOCTION OF THE ORIGINAL FOUNDATIONS OF THE REAL ARISES (AND IT ARISES, INDEED, VERY MERITORIOUSLY AND POINTEDLY), FROM WHICH, THE YEARNINGS, ARE NOT WHICH, AS WE OBSERVE, THE MENTAL AUTOMATISMS OF THE HYSTERICS (GATIAN DE CLÉRAMBAULT), PROGRESSIONS FROM THE PRIMEVAL SLIME, AND OUT OF THIS PROGRESS, PROTOZOA, AND FINALLY, INTELLIGENT BEINGS, THAT IS, ANIMALS. EVERY NATURAL THING IS BEAUTIFUL.

IT IS WITHIN THIS UNDERSTANDING OF SLIME AS DERIVATIVE OF THE PRIMORDIAL SOUP AND BY WAY OF THE MOLECULAR COMPOSITION OF ORGANIC LIQUID MATTER THAT PHOEBE COLLINGS-JAMES’S ORGASMIC ACTUALIZATIONS OF DETERRITORIALIZING BECOMING-WOMEN (‘I AM EVERY OTHER WOMAN’) CRYSTALIZE INCONSPICUOUSLY IN A COMPELLING MIMICRY OF MAMMAL FOSSILIZATION.

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Ivory Black #3, 2014. Cookie Butcher, Antwerp. Oil on linen. 274.5 x 167.8 cm
Ivory Black #4, 2014. Cookie Butcher, Antwerp. Oil on linen. 274.5 x 167.8 cm
CUNT, 2014. Cookie Butcher, Antwerp. Oil on salvage denim. 228 x 80 cm
Split Phallus, 2012. Still House Group, New York. Resin and glitter. Dimensions variable.
Flesh Tint, 2013. Installation view. Ritter Zamet, London. Oil on Linen.
'The Flesh Is All You Have, If You Mortify That There Is No Hope For You'
Installation view, 2013. Ritter Zamet, London.
oK,oK,oK, 2013. Plaster.